National Repository of Grey Literature 4 records found  Search took 0.01 seconds. 
Wagner's Bayreuth as a German National Socialist project?
Valterová, Denisa ; Just, Vladimír (advisor) ; Sarkissian, Alena (referee)
This thesis entitled Wagner's Bayreuth as a German National Socialist project? examines the causes and historical context that links the Bayreuth festival to Hitler's National Socialist regime. The thesis focuses on problematic elements in the legacy of Wagner as a thinker and an artist and examines their development from Wagner's death to 1945. The thesis is planned in several stages.
Wagner's Bayreuth as a German National Socialist project?
Valterová, Denisa ; Just, Vladimír (advisor) ; Sarkissian, Alena (referee)
This thesis entitled Wagner's Bayreuth as a German National Socialist project? examines the causes and historical context that links the Bayreuth festival to Hitler's National Socialist regime. The thesis focuses on problematic elements in the legacy of Wagner as a thinker and an artist and examines their development from Wagner's death to 1945. The thesis is planned in several stages.
Theatre Studio Reduta as an example of modernistic utopia
Jiřík, Jan ; Hyvnar, Jan (advisor) ; Pilátová, Jana (referee) ; Oslzlý, Petr (referee)
1 ABSTRACT This thesis describes the theatre reform at the turn of 19th and 20th century in its wider sociocultural concept. It focuses on the reaction of theatre to the modernistic crisis of European culture and society. Modernism is understood here according to its wider thematic and chronological definition. Modernism is based on the conception of machine civilization as it was defined by a Polish sociologist Jerzy Jedlicki. Jedlicki places the rise of modernistic cultural formation into the second half of 18th century which is when a steam engine was invented and it was a time of social turbulence and changes in human spirituality. Another theoretical frame of the thesis is created by utopia phenomenon as it was defined by Jerzy Szacki. Second half of 20th century is considered to be the end of modernism, inasmuch the utopic visions which had been placed on theatre faded away. The main topic of the thesis is Juliusz Osterwa's and Mieczyslaw Limanowski's theatre studio Reduta. It was founded in Warsaw in 1919 and it was to a great extend inspired by Moscow theatre studios of Stanislavsky and by Polish theatre sources (Stanislaw Wyspianski). By studying selected examples, the thesis studies Reduta as a realisation of modernistic utopia when theatre was supposed to carry a special mission in renaissance of...

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